Why your clients struggle to decide

When a client turns up with a decision hanging over them, information is rarely what they lack. Order is. They have gone round it so many times that they can no longer tell what genuinely matters to them from what worries them only because someone said so. They circle, they ask around, they collect opinions, and every conversation adds one more criterion without removing any.

A decision matrix goes straight at that. It adds no information: it orders it. Options go in columns, criteria in rows, and it forces two questions almost nobody asks out loud: how much does each criterion matter to me, and how well does each option meet it.

Person writing options in a notebook

What a decision matrix is

It is a table. The columns hold the options the client is weighing up. The rows hold the criteria they will use to choose. Each criterion carries a weight from 1 to 5, saying how much it counts in this particular decision. Each cell carries a score from 1 to 5, saying how well that option meets that criterion.

Each option's total is the sum of weight × score. The one with the most points tops the list. But the number is not the output of the exercise: it is the excuse to get there.

How to facilitate it, step by step

1. The decision, in a single sentence

Ask the client to write it. If it does not fit in one sentence, it is usually two decisions tangled together, and they are worth separating before going on.

2. The real options

Have them list every one, including "carry on as I am". It is the one nobody writes down because it does not look like a decision, and the one that wins most often when scored honestly.

3. The criteria, before anything else

The question that draws them out is simple: "what would the good option have to meet?". Repeat it until nothing new comes. Three to six criteria is the range that works; fewer and the matrix adds nothing, more and everything averages out.

4. The weights, before the scores

That order is not a detail. If the client scores the options first and sets the weights afterwards, the weights quietly bend so the option they already preferred comes out on top. Setting the weights first keeps the matrix able to surprise.

5. The scores, quickly

No agonising over each box. The first instinct is usually the right one, and any doubts that surface are material for later.

6. The result, while watching their face

This is the coach's work. Not reading the number, but watching what the client does when they see it. Relief, resistance or surprise: each one opens a different conversation.

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Write the decision, its options and your weighted criteria. You will see which one wins and which criterion decided it. No sign-up.

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The criterion that decides

In nearly every matrix there is a single criterion that splits the decision: the one that most separates the winning option from the runner-up. Naming it changes the conversation, because the real decision is often not between the options but about that criterion.

An example: a client compares three ways of organising their year. "Drop to three days" wins by four points, and what sets it apart from the runner-up is "time with my family", which they had weighted at 5. The conversation stops being about the calendar and becomes about what they are willing to carry in order to have that time.

What to do when they do not like the result

It is the best possible scenario, even if it does not look like it. If the number says one thing and the body says another, a criterion went unnamed. It may be an uncomfortable one — money, fear, what somebody would say — and that is exactly why it never made it into the table.

The question that surfaces it is direct: "which criterion is not here, and you know it counts?". It nearly always comes out first time.

Common mistakes when facilitating it

When not to use it

It is no use for decisions with only one real option, nor for the ones the client has already made and only wants confirmed. Nor for purely emotional dilemmas, where putting numbers on what is felt is an elegant way of not talking about it.

For everything else — a job change, a move, raising prices, taking on a project, letting a client go — it is one of the fastest ways to bring order to a session.